#i don't really know where i was going with this it just kind of happened

[aperrywilliams]

A Bit Rougher (Spencer Reid x Fem!BAU!Reader)

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Author Masterlist

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Pairing: Spencer Reid x Fem!Reader.

Summary: You and Spencer have been in a relationship for a little bit more than four months now, and the team doesn't know. One day, the BAU girls ask you by your mystery partner they know you have - even if they don't know who it is - and bring up a topic you are not so sure to share with Spencer yet: your kinky side in sex. What happens when the same Spencer puts a test on you on that matter?

Word Count: 6.5k (I'm not sorry)

Warnings: SMUT/18+/MDNI. Where do I start? Reader sleeps with Spencer (obviously). Talks about sex life. Mentions of tantric sex and rough sex. Mentions of some kinks like choking, spanking, and dom-sub dynamics. Clothes get ripped, Spencer calling you 'my girl' (oh God), masturbation (f receiving), fingering, kind of choking, dirty talk. Spencer does his best as a dom (soft!dom because it can't be any other way), penetrative sex, spanking, begging, more dirty talk, creampie (it really doesn't exist another word for this?), and aftercare. Spencer is the best boyfriend in the world. If I forgot something, please let me know.

A/N: This one was a request. I can't find the original message, and I don't know if the person who asked wanted their name here (I can quickly add it if they want to).

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The moment rays of sunlight peek through the curtain and hit my face, I turn to my back to avoid them, not ready to fully start the day yet.

Still half awake, half sleepy, I can feel a pair of hazel looking at me. I peek one eye open, and I see Spencer smiling at me.

"Good morning, beautiful," he rasps. And I don't know why such simple words have me blushing like a schoolgirl. Beaming, I return the greeting.

"Morning, handsome."

I get my reply with a lingering kiss on my lips, which I fully savored until a sudden thought came to me.

"What time is it? We need to get up."

Spencer, with his calm voice, shakes his head.

"It's a bit early yet. We have time. Also, you have some clothes here, so you don't need to go to your apartment before driving to work."

Smart me for bringing clothes to his apartment. It's an obvious decision, though, considering I have spent more nights here in the past weeks than in my place.

A devilish smirk makes an appearance on my face.

"So, we do have time, don't we?"

"Yes, sweetheart. We do," Spencer mumbles, scooting closer and peppering kisses on my face and then down to my collarbone.

Oh boy, this is what I call a good way to start the day.

-

How much time can you fool a bunch of the best profilers in the country, hiding your relationship with one of your coworkers? Spencer and I keep the count. The mark is set now in four months and two weeks.

It's not that we are embarrassed by what we have or anything close to that. It's just that things started so casually and naturally, and they're running so smoothly, so we want to keep it to ourselves as long as we can.

And by now? It's working.

We have also been careful about it. On our first nights together, we woke up early and went home for a shower and a change of clothes. After some weeks, we started to pack extra in our go-bag. Now, we have at least a change of clothes in each other's places. The second rule is never to get to work at the same time or on the same transportation. Spencer usually takes the metro even if I can drive and make time in the parking lot. Just one day, we did it, and we were so worked up in our making out session that we almost got caught by Morgan, who parked two cars away from mine.

Naturally, any form of PDA at work is completely off-limits. That's the toughest rule to follow. After all, we spend more time at the office and on the road than we do at home, so avoiding any kind of touch is definitely a challenge.

Despite all that, I can't help but feel happier every day as I fall deeper for Spencer. I often feel like a schoolgirl with a crush, constantly distracted by thoughts of him. Clearly, my behavior hasn't gone unnoticed, at least not by the three girls cornering me right now in the BAU kitchen.

"So, are you going to deny you're having fun these days?" Emily teases me while JJ and Penelope giggle in agreement.

"Where did that come from?" I say, intentionally diverting my gaze to the mug I'm filling with coffee.

"It's just basic observation, my dear," Penelope chimes in.

"Basic observation? I honestly don't follow you guys at all," I reply, feeling a bit overwhelmed by this unexpected Tuesday morning interrogation. This time, JJ steps forward with her evidence laid out right before me.

"We have all noticed the changes in you over the past few months—the giddy smile that lights up your face when you read a text on your phone, the new pep in your step, and how you hurry home every time we finish a case. Do I need to say more?"

"Busted!" Garcia points a mocking finger at me. I roll my eyes in fake annoyance. After all, they are completely right.

"Okay, okay. Yeah. I'm seeing a guy. Happy?" I confess, and Garcia squeals.

"Yay! We need to know everything about him."

Oh. That's dangerous territory.

JJ notices my discomfort and tries to ease it a bit.

"Penelope, I'm sure we'll know more with time. Right?" JJ looks at me, and I nod appreciatively.

"Okay. But the basics. Is the guy good?" Emily asks. A silly smile appears on my face.

"Of course he is. He's caring, fun, always attentive-" I'm about to start a rant about how my mystery man is perfect. But Emily's snort stops me at mid-sentence.

"What?"

"Emily is asking if he is good in bed!" Penelope clarifies, a mischievous glint in her eyes.

Oh, Lord. What have I got into?

"Are you really expecting me to tell you about my sex life?"

The three girls nod in unison with no shame. Well, I guess I got my answer.

"Like if you haven't done it before. And for what it is worth, we all have said something about it more than once. That's why we created girls's night in the first place," Emily points eloquently, as always.

Touchè. They are right. I have said more than I would like to admit about my sex life. But now it's not that simple. We are talking about Spencer, even if they don't know it yet.

"Then? Is he good or not?"

I contemplate my answer not because I don't know what to say but not revealing more than necessary.

"I don't think good is enough to describe sex with him. The first time we slept together was amazing. The whole night was if you know what I mean. Since then, we have taken our time, savoring the moment, giving, and receiving a new part of ourselves when we do it. So, yes, sex with him is more than good."

"But it could be better," Garcia interjects, and I look at her baffled.

"How's so? Didn't I just say the sex is great?"

The three women nod in agreement, but I think I'm missing something here.

"Don't take it the wrong way, my lovely. We are really happy you are having fun and enjoying yourself," Garcia says, patting my shoulder. "But it sounds pretty vanilla to me. And it's not bad! Not at all!"

I frown, and Emily rolls her eyes, continuing Garcia's idea.

"What Penelope tries to bring here is what we talked back then about your last partner. Remember? The one who liked tantric sex?"

Oh. Yeah. I remember that one. It's not one of my finest choices, if I have to be honest. But it wasn't the guy's fault.

"Yeah. What about him?"

"You forgot how you complained about him being basically a statue? That you wanted it rough, and the guy never got the memo?" Penelope fills in, arching an eyebrow. My cheeks are flush crimson right now.

"I can't believe we are talking about this in the office kitchen," I mumble, embarrassed. "But that was different."

Emily scoffs. "What? Did you change your kinks now? What happened with the choking, the spanking, the begging, and all those things?"

"Emily Prentiss, can you please shut up? This conversation is too much for a morning in the office," I complain, shaking my head to try to cool my red face.

"Okay, okay. I'll stop. But if you are still into it - and I'm sure you are - maybe it's a good idea to share it with your partner. Healthy sex life and all that, so it doesn't happen what it did with the tantric guy."

"Well, thank you all for your concern. But I think I'm good. Now, can we please drop the subject?"

Luckily for me, the girls listened and changed the topic. By the time we leave the kitchen, I feel less embarrassed and ready to continue my paperwork.

But the conversation kept popping into my head from time to time during the day. My sexual preferences haven't changed 180 degrees, that's true, but with Spencer, it's different. I wouldn't want to bring something like that up if it's going to make him uncomfortable. Our relationship is still fresh, and I'm happy with our current sex life.

And talking about Spencer, I haven't seen him the whole morning. By the time lunchtime arrives, he doesn't come back to his desk, so I go with the girls and Morgan.

When we come back from lunch, I finally see him at his desk, concentrating on a pile of files. A smile creeps in my face. He looks so damn good with the crocked tie, messy hair, and shirt sleeves rolled up his forearms. This man has ruined me just sitting there. I'm doomed.

"Hey," I call his attention, and he turns his head to look up at me.

"Hi," he returns a smile.

"I haven't seen you around in hours. Are you okay?"

A frown appears on his face, but he brushes it off quickly.

"Me? Oh, yeah. Fine."

"Are you sure?"

"Yeah. It's just Hotch that had me checking and analyzing a pile of boxes with folders from old cases in the store office. That's all."

It makes sense. Spencer's fast reading is a blessing and a curse, and obviously, people tend to use it often in the office.

"I'm sorry, sure it wasn't a very entertaining task."

A shy smile creeps on his lips, and I have to use all my self-control not to pounce on him right now and pepper his face with kisses.

"It's okay. I'm already done, anyway. How has been your morning?"

"Oh. Mostly paperwork. As everyone. But I think I'll be done soon, too." Before continuing, I check my surroundings to ensure nobody else is listening. "Maybe we can go home early?" I suggest seductively.

The flush in Spencer's cheeks is endearing. It's like the ones I sported this morning when the girls were interrogating me. And they want me to tell this boy about my kinks? No way. I won't do that if it means he won't feel comfortable with me again.

"We could. But I'm afraid plans will have to wait," Spencer says as his gaze shifts from me to Garcia and the quick tip-tap of her heels, heading to the conference room.

Fuck. A new case.

-

Don't get me wrong. I love my job. But being stuck in the middle of the desert, looking for an unsub that seems to be a ghost? And I say 'ghost' literally because we are looking for a guy who is dead for the town records. No, this is not my idea of a 'normal work day.'

It's frustrating, and not only for the lack of progress. The heat here is like hell. The AC barely works, and everyone's mood is bitchy.

We are not making any progress by now, so Hotch sends us to the hotel for the night. Once in my room, I text Spencer, not with an explicit purpose but to talk to him for a while. But he doesn't answer my texts. Is he sleeping by now? Considering he's a night owl, I found it very rare. But maybe he's drained like everyone else, so I let it slide.

In the morning, after my shower, I'm checking my phone, and I don't have any messages. Has Spencer received my texts?

I don't want to sound paranoid, but it's like something is going on. At the precinct, I barely get a hello from Spencer. Okay. Maybe it's the stress. I don't give it too much thought, either. Not when we have work to do.

And boy, we have been working hard on this one. Some clues give us hope, but we're far from catching the unsub.

In the little spare time we have between interrogations and visiting dumping sites, I try to share moments with Spencer, but it definitely seems like he doesn't want to be alone with me in the same room, even if he doesn't say it or shows signs of annoyance or animosity towards me.

I can't tell why he is so distant, but it's starting to worry me. Did I do something? And it's killing me because the more I think about it, the more I miss him. A kiss, a hug, anything from him would ease the ache I'm starting to feel.

It doesn't help that he has been choosing to wear the sexiest clothes he has in his go-bag. Those tight grey pants that accentuate his ass, those button-ups with sleeves rolled up.

We have been here for six days, and I think I'm going crazy. I have been trying to be subtle and professional. But I swear that if one more day goes by without being able to feel Spencer's touch, I don't know what I'll be able to do.

It seems heaven has listened to me because we finally managed to catch the unsub, and we're on the jet on our way home. But I'm nervous. I didn't even want to sit next to Spencer like I usually do. I don't know why. What if he wants to break up with me, and I'm just dragging things out?

What the hell am I talking about? I don't believe I'm thinking clearly here. But this week has been so odd that I don't know what to think.

Maybe when we land, I can finally talk to Spencer and put an end to my overthinking. With that in mind, I doze off for the rest of the trip.

Once the jet is down, I'm starting to gather my things when I hear Spencer rushing out, saying goodbye to everyone.

Disappointed and frustrated, I leave the tarmac.

Maybe a full night of sleep in my bed isn't a bad plan after all.

But be that as it may, fuck you, Spencer Reid.

-

As if all that had happened wasn't enough, when I got to the parking lot, my car fucking didn't start. I knew I had to get it checked before.

Fuck. Fuck. Fuck!

That delayed my arrival home for another 45 minutes.

Now, disappointed, frustrated, and with no car, I slam the door shut. The apartment is pitch black, and I have no energy to flick the lights on, so I drag myself to the bedroom. When I open the door, a yelp escapes my mouth when I see a silhouette of a man sitting in the chair I have in one corner.

I'm about to reach for my gun when the bedside lamp flicks on, and the scare turns to confusion when I see Spencer sitting there.

"What the fuck!"

"Hi," he says as if he hadn't almost scared me to death two seconds ago.

"Spencer! What are you doing here?" My voice sounds harsher than I intended, but Spencer brushes it off quickly.

"Waiting for you," he says matter-of-factly.

I'm officially confused. We were together an hour ago? He left without saying anything.

"I don't understand. The way you left the jet in such a hurry, I thought I was the last person you wanted to be with."

My words come out resentful, but I can't help it. Spencer's eyes soften. I averted his gaze as I dropped my go-bag, unholst my gun to set it on the safe, and sat at the end of the bed to remove my boots.

"Hey, don't say that. Of course, I want to be with you," Spencer says, standing from the seat and kneeling to help me remove my boots.

"I'm sorry, but it didn't show that way. You avoided me all week!"

Great, now I sound like I'm making a tantrum.

From his place where he knelt on the floor, his eyes met mine, and I don't know why suddenly I felt a shudder running down my spine.

"Sweetheart, you know we were working, weren't we?"

That condescending tone escaping Spencer's lips? It is something unexpected. But why does it make me kind of nervous? It's a type of nervousness that gives me butterflies in my stomach.

"I know! But- but then in the jet. And you left."

Why am I babbling? Since when did Spencer have looked at me with those piercing eyes?

He stands and offers me a hand to help me to do the same.

"Is my girl upset?" He asks when we are both upright.

'My girl'? That's new. Spencer always calls me by my name, a short version of it, or beautiful, or sweetheart. But thinking about it, 'my girl' doesn't sound bad at all.

"No! I'm not-"

"Oh yes, you are. Look, I wanted to prepare a surprise for you tonight, so I left in a hurry. I was thinking about a bubble bath, dinner, wine, and a movie. I even had the table done with candles ready to lit," he says nonchalantly, and I feel silly for thinking the worst scenarios all week.

"Oh," is the only thing escaping my lips.

"But now, thinking about it, maybe you don't deserve it. Not if you're questioning me like this," Spencer shakes his head in fake - I hope - disappointment.

Okay. Stop right there. What the hell is going on here? Why is Spencer talking like that? About me as 'not deserving' something? What's next? That I'm a naughty girl? - Uhm, I wonder how it could be hearing those words from his lips.-

"What? Why I-"

"Come here," he requests as now he is the one who sits at the edge of the bed and pats the spot in his lap. It doesn't sound too commanding, but sure as hell, I don't need anything more to comply. I need to know where this is heading.

As I'm at Spencer's reach, he pulls me by my wrist to land on his lap while his other hand cradles my face.

"Tell me, uh? Why are you upset?"

His voice drips like honey, and I start to feel hot here.

"I- I don't know. I just missed you, I guess."

"You guess?" He arches a questioning eyebrow.

"Yes. I mean, I do know. I have missed you," I confess, defeated. Oh yeah, now I'm the needy one.

"It helps if I say I have missed you, too?" he says, caressing my cheek tenderly with his knuckles. "I have seen you tense all week; that's why I thought I could do something special for you tonight."

I close my eyes, and for the first time tonight, I let myself enjoy Spencer's embrace.

I exhale a heavy breath as I get lost in his arms.

When I open my eyes, Spencer's are fixed on mine. But his look is not as sweet or reverent as it usually is when we are like this. No, this one is dark and raw. His pupils are fully dilated, and I feel like the breath leaves my lungs.

"Spencer-" I barely mumble.

"I know," he whispers, moving one hand to cradle my neck and bring my lips to his.

Oh God, what I have been craving for days is finally happening, and I can't stress enough how happy I am.

The kiss starts slow and sensual. But not far from that, it gets needy and messy, charged with all the pent-up emotions from the past days. If I had any doubt about Spencer's distance in the last week, this kiss quickly eased my anxiety.

My fingers go to undo the buttons of his button-up, but Spencer stops me with one of his hands, grabbing both of my wrists.

Why didn't I notice before how big and strong his hands are compared to mine? I mean, I always admired his long and deftly fingers, but this? Wow. It's new territory.

"But I want to touch you," I pout when he keeps hold of my wrists in his hand. The cocky bastard raises an eyebrow, contemplating my request.

"You will have to be patient this time and earn it, darling," he says casually, and as my eyes go wide, my jaw goes slack. These words have never come out of Spencer's mouth before. But why am I suddenly starting to feel hotter and more worked up? I blame it on sex abstinence.

"Please, I have missed you so much," I insist, trying to escape his grip to get what I want: undress him. But he doesn't budge, tsking his tongue.

"I already told you. You need to earn it. To my knowledge, only good girls get what they want, and I don't think I'm wrong, do I?"

Jesus Christ! I had never heard Spencer say 'good girl' before, and I'm sure now I'll be addicted to hearing it every chance I get.

"Spencer, please. I'll do anything. I promise. I want to be a good girl. I want to be your good girl."

Spencer's smirk tells me he likes my response, and I'm not at any ounce ashamed of sounding desperate.

He maneuvers me so that I am now on my back on the mattress. I watch his every move intently, and I get lost in his gaze, which screams lust and desire.

He kneels between my spread legs, staring at me intently as his hands move to the edges of my blouse. Just when I think he's going to work on unbuttoning it, he grabs it and rips it open.

A yelp escapes my lips at the raw sound and the view of buttons flying. Spencer doesn't seem fazed by his display of caveman style. And me? I won't mind if he rips all my clothes right now. His hands go to caress my breasts over the fabric of my bra. And then pull it down to free the skin. The cool air quickly stiffens my nipples.

Spencer leans down to suck one of them, twirling the other one with his fingers. A moan escapes my lips at the pleasure his touch is giving me.

"You like that, uh?" he mumbles, still with his mouth sucking and lapping.

"Yes!" I say, as my hands fly to his hair so I can ground myself in something.

After giving enough attention to both of my nipples, he helps me to get rid of the fabric of the ruined blouse and my bra. Now his mouth is sucking a hickey under my jaw, and I feel like I can faint of how aroused I am. One of his hands goes south and stills at the button of my work pants. His breath is hot in my ear.

"I'm going to take care of you. If I do something you don't like, just say it, okay?"

That's a sliver of the Spencer I know, and I can't even think of something this man can do to me that I wouldn't like.

"Okay," I manage to blurt when his fingers work on my pants, leaving me clad only in my panties in a matter of seconds.

Under his intense gaze, I feel exposed, but I also feel safe. There is no place where I would rather be right now.

"You're gorgeous. You know that?" Spencer says, trailing feather touches on my skin aflame with desire. "You don't know what you do to me, do you? I barely can control myself," he continues his praises, thumbs toying with the waistband of my panties.

I'm about to combust.

"Spencer, please."

"What is it, my girl?" he asks, kissing my neck as his fingers slide down my legs, removing the soaked fabric that used to cover my most intimate part.

"I - I need more."

"Are you already desperate for me?"

I can feel how his fingers trace soft patterns in the skin between my thighs, explicitly avoiding the spot where I need him the most.

"Yes! I am. I - I can't-"

I don't even care if I sound coherent at this point. I'm already so turned on and desperate that I can't be bothered by my lack of speech. Spencer still doesn't budge, though.

"I know you want to beg. And I know you can do better than that."

Oh God. I don't know how Spencer's words manage to make me more aroused, but they do.

"I need you," I croak, eyes pleading him to take me. I can feel his fingers ghosting my throbbing clit.

"I need you, sir. Please. You can use me whatever you want, but please, touch me!"

What the fuck? I just called Spencer' sir' and offered my body explicitly to him to use. And the bastard doesn't even flinch? Who is this guy in full control, and who am I acting like a pathetic submissive?

I don't have the answers, but honestly, I don't care. Did he want me to beg? If this isn't begging, I don't know what it is.

"I know you do, baby. Do you think I didn't notice how needy you have been all week? How have you tried to get my attention all these days?" Spencer's voice drops almost two octaves as his finger finally starts rubbing circles on my clit.

Just feeling his touch makes me whimper pathetically.

His lips ghost in my ear, and I can feel his breath heating the spot before his teeth nibble my earlobe.

A mewl leaves my mouth, and if I wasn't soaked before - which I was - now I'm dripping.

"Tell me, this is what you wanted?" His voice is commanding but feels like honey leaking on my body.

"Yes! Please, don't stop."

His movements are deliberate and precise, and when he buries a finger into my core, I can feel the coil in the pit of my lower belly beginning to form. My moans increase in number and volume.

"So needy, my sweet girl. Like that? That's how you want me to touch you?" Spencer coo as he watches me tremble under his touch, adding a new finger to fuck me.

His ministrations continue, but his free hand moves slowly from my cheek down to my neck, caressing the exposed skin with his thumb.

"Or maybe you want me to touch you like this?"

A mewl escapes my lips when he poses his open palm over my throat, not squeezing but seizing how much of my neck he would be able to cover with his huge hand.

"Yes! Please, do it. Please Spencer," I babble, feeling my orgasm closer and closer. And he complies. Applying the minimal pressure in my throat is enough to highlight all of my senses. That, plus the way his ring and middle finger pound in and out of me and his thumb toy with my clit at the same time, sends me to the edge.

"Spencer!" I scream as my climax washes over me.

I don't remember having an orgasm like this in a long time. My vision blurs and I feel like I'm floating on a cloud of pleasure that I don't want to come down from. I can hear Spencer's encouraging words in the distance as he helps me ride my orgasm.

"That's it, my girl. You did so good for me. See how good I can make you feel?"

With hooded eyes, I see Spencer sucking clean the fingers that were fucking me seconds ago.

"You taste amazing. I'll never get tired of it," Spencer says, with a satisfied grin on his face.

Still dizzy, I gesture for him to come closer. When he does, I wrap my arms around his neck and pull him in for the most passionate kiss my current post-orgasmic state will allow. I can taste myself on his tongue, and it is like my sex drive reminds me I want more. I need more.

"Please, fuck me," I mumble between kisses, and I can feel the smirk forming on his lips.

"I just did that," he states when we part from the kiss. "Are you being ungrateful?" Is he joking? I hope he does, but I won't take the chance of not having his dick in me tonight.

"No, baby. I'm thankful for the way you have touched me tonight, but I want you to feel good, too."

Spencer looks at me with a raised eyebrow.

"Is that so? Are you willing to do what I want to make me feel good? It's not only for your benefict?"

"Yes! Whatever you want. I'm yours. Take me the way you want to do it. Whatever you want to give me."

I don't know at what moment I became this kind of submissive, but if I have to beg again to have Spencer inside me, I will do it without complaining. And considering he's still fully clothed, I don't know what kind of plan he has right now.

"On your elbows and knees."

It's simple, and the moment the words leave his mouth, I move quickly to obey.

Unfortunately, from this position, I can't see Spencer, but I can hear him undressing. When I listen to him undoing his belt buckle, I have to do everything in my power not to rub my thighs together in search of some friction. And Spencer notices.

"I can bet you're dripping again. Don't you?"

The anticipation is killing me. When I feel the mattress dip with Spencer's weight, I can't stop the mewl that leaves my lips. It doesn't help when he presses his body to mine, and I can feel his hard cock pressing my ass.

"Can you feel what you do to me? I want to fuck you so bad. I want to ruin this pussy." Spencer's voice is husky and low, almost predatory, and I can't wait to feel him.

While we've used dirty talk before, I think this is the first time I can feel it coming naturally from Spencer. I'm usually the one with the filthy mouth.

When I feel his tip teasing my entrance, I instinctively push my ass back, gaining a laugh from Spencer.

"Be patient, once inside there is no coming back." Before I can say anything in reply, I feel him push his cock between my folds, and the stretching is painfully delicious.

"Oh, fuck!" I yelp as I hear Spencer hissing when he bottoms it out. He is still there, grabbing my hips to keep me from moving.

"So warm. So tight. Made for me," he mumbles, leaning to kiss my shoulder blades.

"Just for you, it was made for you," I agree, in a new state of pleasure and urging him to move. Spencer pulls back almost completely, only to thrust hard again, setting a slow but deep pace.

"That's my girl, taking everything I give her. You wanted this, didn't you? I know you do. Fuck! So good for me."

Another thing I'm not used to is Spencer being a talker during sex. I mean, yeah, he's very vocal, moaning, whining, cursing, and so am I, but his words are now taking me there faster than I expected.

"Spencer, yes! Don't stop, please!"

"I won't, baby, I won't. Not when this pussy tighen me like this."

His pace quickens, and in the room, you can only hear the sinful sounds of skin hitting skin, our moans, and the dirty words escaping Spencer's mouth.

"Spencer, please, harder," I beg to him. I don't know why, but I want to go to my limit, and I trust Spencer. I need it. He's quick to deliver, and with every thrust, I'm entering into a new space of ecstasy.

He is pounding me harder, and my broken moans are testimony to the brutal pace he leads. I can feel him hitting in all the right places.

"Like that?" He asks, panting in my ear.

"Y-yes."

"I can't hear you, darling," the bastard demands, not faltering his thrusts.

"Yes! Fuck, yes! Like that! Oh, fuck-"

My voice cracks when I feel a sharp smack in my ass.

And I can't stress enough how good it feels and how it helps the ball forming in my lower belly to grow.

"What a sight. You should see how my fingers are red imprinted on your skin," Spencer says, amazed with his doing, not ever slowing his thrusts, and I can feel closer to a new earth-shattering orgasm.

"We need to even the score, right baby?" I can't even catch what he's talking about when I feel a new smack in my other ass-cheek. And then I lose it. I'm teetering to my end, and I need Spencer to fall with me.

"Spencer, I'm so close. Please, I need-"

"Are you going to come? That's what you're trying to tell me?"

"Yes! I need to cum, please-"

"I'm right there with you, my girl. Come on, cum on my cock. Show me how you fall apart because of me."

And I did. My orgasm crashes me like a freight train, screaming Spencer's name once and again until my throat goes dry. He keeps his pace, chasing his own end, and after three deep thrusts, he stills, and I feel him spilling inside of me, grunting as he does so. The feeling almost makes me cum again.

We stay in that position for a few moments, him inside me and trying to catch our breath. I feel like I'm out of this world, savoring the post-orgasmic euphoria of the best sex of my life.

Spencer pulls out, and I hiss at the loss of him. Carefully, he helps me turn over and lie down to rest my back on the mattress. I close my eyes, regulating my breathing, content and completely satisfied.

"Are you okay?" Spencer asks me, but I'm still lost in the haze of pleasure. I can barely acknowledge the moment he goes to the bathroom to bring a warm cloth to clean me up.

"Uh? Yeah. Amazing." My words escape before I can process them, but I'm not lying. And I can feel the tons of endorphins running in my brain right now.

"Are you sure?" Spencer checks again. And because I'm more alert now, I can see his worried eyes.

A tired smile forms on my lips as I turn to the side and bring a hand to his cheek.

This man just has fucked me senseless, and now he sees me with those panicked eyes as if he had broken me. And maybe he did, but in the best way possible.

"I'm fine, Spencer. I'm more than fine, actually. That was something else," I confess, caressing his jaw. He lets out a breath of relief, and his cheeks turn a shade of pink.

"So you liked it?"

"Liked it? Did you just forget how I was screaming your name just minutes ago?" A satisfied chuckle escapes Spencer's lips. "But I need to know something," I prompt, propping myself on one elbow to have a better view of Spencer's face.

"What is it?"

"Where did this idea come from? It's not like you woke up one day and said, 'Next time, I'm going to choke her and spank her,' right?"

"Well, yeah. It wasn't that kind of spontaneous idea, even though I have thought about it before," Spencer looks at me sheepishly.

"Yeah? Well, then?"

"I heard you. Talking with the girls the other day at the BAU's kitchen." I narrow my eyes, trying to pinpoint the exact moment, and when recognition washes over me, my entire face flushes.

"Oh, God."

"I know I did wrong. It wasn't a conversation for me to hear, but you were talking about your mystery man, and I - I don't know, curiosity got the best of me."

Spencer looks apologetic, and I feel kind of embarrassed right now. It's funny for two people that minutes ago were fucking like there is no tomorrow.

"Don't apologize. It's my fault for spilling those kind of things in the office kitchen." Wait a minute. "From what part you heard?" Spencer purses his lips in thought.

"The part when you admitted seeing someone."

"So you heard when I said I was happy with our sex life, right?" He nods. "Why did you feel compelled to try something different, then? I'm not complaining at all, but I don't want you to feel obligated to do something because of me."

Spencer shakes his head. "I don't feel obligated. I wanted to. But can I ask why you didn't tell me what you liked before?"

That's a valid question, and I don't want to make him feel like I don't trust him because it is not like that.

"It's just- I mean, I love what we have. And I'm falling for you even more each day. I don't want to lose that, and I thought maybe I would have made you uncomfortable saying those things. I didn't want that."

Spencer's eyes glisten with warm understanding. How could I have doubted that he would comprehend? One of his hands goes to push back a loose strand of hair behind my ear.

"I love what we have, too. And you won't lose this or me if you share those things with me. I know I'm not the best example of a sharing person, but I'm learning to do that with you. And I want you to be happy and satisfied in this relationship."

"I really am. Seriously!" I quickly reply. God forbid Spencer from thinking I'm not happy and satisfied because it's far from the truth.

"And I'm happy to hear that. But there is no harm in experiencing new things, right?" He says, caressing my cheek.

"You really mean it?" Spencer nods and chuckles.

"It's not an altruistic offer, you know? I pretty much enjoyed what we did tonight." Only remembering what we did minutes ago brings a wide grin to my face.

"Sure you did. Okay. We can keep trying things. One condition, though."

"Name it," Spencer states, opening his arm for me to scoot closer to his side, which I happily do.

"I want you to choose the next kink to explore," I request, glancing up at him to gauge his reaction.

With narrowed eyes, Spencer is contemplating his answer. After a few seconds, his lips turn into a mischievous smirk, and he looks back at me.

"Have you heard about temperature play?" he asks, and I immediately bit my lower lip in excitement.

What can I say? This man is full of surprises, and I'm the lucky one who will experience all of them. I can't wait.

------------------

Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[yourgamemasterthewhiterabbit]

108, Canada. First of all, I would have died in my 20s when I got appendicitis, if I did at all.

Secondly, being as I am living off a disability pension now, I genuinely don't know if being part of a hunter-gatherer society in the year 108 would have been worse. I know the conventional wisdom is that of course the past wasn't better for anyone. But the year 108 seems a little early for the kind of sexism people are thinking of, and it's not like I am not systematically denied healthcare now. Covid wouldn't exist yet, and there is some chance I'd actually be part of a community where my skills were appreciated, despite whatever weird hangups or disabilities I have. The biggest question would be whether they'd be cool with me not wanting to fuck, or pair off, or have kids. Or whether I could survive and tolerate being forced to have kids.

I'd definitely be a lot colder for much of the year. Probably.

The thing about already having a very low quality of life is that short of dying there isn't much anywhere to go but up, and I don't think that early humans could end up "homeless" the way people can today, so I don't think that particular downgrade is on the table. I haven't done anything that's really an 'abandon this person and kick them out of the group' level offense. I write stories, I do lots of crafts, I can cook and repair things and I am good at visually identifying subtle differences. I don't think I'd be less hyper-competent in other time, but my skills would be FAR more valued.

The quality of life I have now is largely owed to my own resourcefulness in the face of completely lacking any support stricture or appropriate finances or the care that gets provided to the guy next to me. Like Yeah I wouldn't have my pension, but I also wouldn't be expected to have money to be allowed to build myself a shelter or go get myself food.

That all said, I also only ever got appendicitis because of a lead bullet and I don't think they had those then???? So maybe I'd be fine actually??

Like it would be DIFFERENT as fuck, but better or worse might be highly subjective when your pension is 1200 and your rent is 1000. We take for granted how much benefit we get just by existing in the modern world but we maybe also underestimate how many people are simply cut out of those benefits mattering to them. The aspects of modern convenience I am ALREADY cut out of due to poverty, disability and specifically Covid isn't trivial. I struggle to think of a modern amenity I rely on for basic quality of life that would not have an equivalent that might even be more accessible to me.

Some minor conveniences that I can actually make use of wouldn't be there sure, but so many of the things that destroyed my health or habitually set it back also just didn't exist them or wouldn't have happened.

I'm not saying I'd prefer it. I'd go nuts without the internet for a start. I want novels, and the internet and comics and modern music. I like some video games... But the version of me that never knew these things? Would their objective quality of life be worse?

The 1800's would be worse, the year 1000 would be worse... But the year 108? I genuinely don't know. Humans are resilient. I've been unfathomably resilient. Multiple chemical sensitivities probably wouldn't even be a thing I'd have to think about in a world where I had the diet of a hunter gatherer, it actually lines up pretty well with what I can even eat now. I'd have less cheese though, sad.

The decade you’re given is the decade to which you’re transported. Your geographic location doesn’t change; only the time period changes. “Equivalent QOL” means a qualify of life that approximates the life you have now and anticipate being able to have in the future.

[ms-demeanor]

Hi, this is maybe a pointless question where the answer is just "that's how life works," but how do you have energy for all the things you do? You seem to be constantly juggling 50 different projects and juggling them well. You create so many community resources, do deep scientific dives on your own time, excel at work, plus maintain social and familial relationships. I was able to maintain good work performance, a hobby, and social life for maybe six months last year before I burned out

The thing is I'm juggling it badly, it's just that you see the curated version here on tumblr! I've got probably five times as many stalled and unfinished resources/projects as I have completed ones, I am in a constant state of numbness/anxiety at work (since the new company bought us I'm really, really overworked and have been putting in 10-12 hour days pretty regularly - it's why my posting and writing here has dropped off and my fiction writing is basically not happening), and I'm actually a pretty shit friend because it's difficult for me to make time to communicate with people and leave the house.

My two tricks to make it seem like I've got it together are:

Just do a lot of shit. Some of it will get finished even if you end up with a ton of abandoned projects and if you do this at a high enough volume you can still get a lot done

Join some kind of club or regular hangout event; once a month I go hang out with the same group of people i've been hanging out with for twenty years and sometimes we'll plan things outside of that group and that's most of my social life.

I am also exhausted at all times but I've got the shark version of ADHD where I feel like if I'm not doing something I'll die.

I am probably deeply in danger of burning out but I've had the same "maybe if I get hit by a car I could take a couple weeks off of school without it destroying my life" feeling since i was 10 so it's hard for me to gauge if there's a collapse of any kind coming.

Have you ever tried to get yourself to sprint by falling forward and just putting your feet in front of yourself? It's like that, but I've managed to keep my feet under me so far. I'd say "if I had to deal with any obstacles it would make me fall flat on my face" but I'm actually more productive in catastrophes so. Who knows!

Mental illness. I think the answer is mental illness. I am not a healthy example to follow and I don't want people to think that the way that I act is A) Normal B) Healthy C) Effortless D) Sustainable.

I am just obsessive and weird and I don't sleep very much and I don't leave the house very frequently. I think things were better before the pandemic, when I was doing things with the band and could go to shows because Large Bastard wasn't immune compromised, but a lot has changed in the last five years.

[smellslikechahnspirit]

heyyy chan’s spirit!! I love your writing so much and had a little fic idea I wanted to share! Could you write something where channie’s wife asks him to get intimate for the first time after they find out she’s pregnant? It doesn’t need to be explicit—just soft and emotional, focusing on their love and connection. Totally okay if it’s not your vibe, but I’d love to see your take on it!

Ofcourse! It's a bit short, but I hope you still like it :)

Absolutely 🤍

[Husband Channie and y/n being intimate after finding out their pregnant for the first time (not NSFW)]

Bang Chan x Reader

🤍 read guide lines in Masterlist!

THIS IS (OBVIOUSLY) ALL FICTION AND IS FOR ENTERTAINMENT PURPOSES ONLY! THIS IS MY PERCEPTION OF HOW I THINK SKZ WOULD BEHAVE IN SITUATIONS LIKE THIS AKA, NOT REAL.

[8:05 PM]

You both were on the couch, watching Arcane. It was the weekend. Not any kind of weekend. This weekend was special. It officially has been 2 months since you two found out you were having a little baby. Both of you have wanted this for quite a while and were very excited to finally share the news with everyone. But it was Friday night. You wanted to announce it first thing tomorrow morning. Today was the last day it would just be between you two.

''I still can't believe it...'', you said out of the blue. ''Hm?'', Channie replied who was sleepily laying with his head on you lap. He looked up at your face which was shining bright. ''Our baby. I can't believe it's finally happening.'', you spoke swiftly.

He smiled at you, turning around a bit so his face faced your tummy. ''I know baby, me too. Can't wait to see the members faces tomorrow haha.'', he said. You laughed. ''They're gonna be great uncles.'' ''I'm sure they will honey.'', he replied. ''Kinda liked the little secret we had for a while tho.''. After you said that you pouted. ''Hm me too.'', he said as he kissed your stomach softly. ''Can't believe it's been 2 months already...'', Chan said right after. ''Yea, 7 more to go.''. As you said this you kinda looked..I don't know how to put it...off? You looked disappointed. Or rather annoyed.

''Something wrong baby? You feeling okay?''. ''Nah, I'm fine.'', you said as you pushed him off your lap soflty, so you could get up. Since you're pregnant, he kind of just let you. Normally he would've made you stay and talk it out right then and there, but he knew you were uncomfortable enough as it is.

''Sure?'', he asked you while watching you walk towards your shared bedroom. He only saw you nod and disappear behind the door.

He got concerned, more then confused.

He knew your emotions were all over the place, but seeing you raise a wall was never a good sign. After a good 5 minutes he decided to check up on you.

He walked into the bedroom. The door was still slightly opened. ''Knock knock...can I come in darling?''. ''Ofcourse.'', you said smiling soflty. He walked in slowly, holding a cup of your favoured tea. ''Got ya this.''. He put it down next to you. He kept looking at your face, trying to decipher what was the matter.

''Y/n, please tell me..what's going on. Are you feeling sick? Worried? Don't deal with this by yourself baby, please.'', he said as he rubbed your arm soflty. ''It's just...''. He looked you in the eyes, making you look back at him. ''It's what?'', he said very quiet. ''I guess I'm just a bit worried.'' ''Hmhm, worried bout what sweetie?''.

He now sat down next to you, giving you a small kiss. Patiently waiting for you to tell him what was bothering you. ''Do you still love me? Or just because I'm pregnant now, you feel like you have to?''. He was shook by your words. Completely unaware that you felt this way. ''Y/n? Are you...okay? How...what??? Why would you ask me that. I love you to death. Does it look like I don't love you anymore?''. He was really confused. ''No, I mean...I don't know...''. ''Baby...?'', he asked confused. ''Well...since you found out I was pregnant...we haven't...had sex. Like not even once. Are you not willing to have sex with me, for the next 7 months either?''.

He now understood your thought, but this was never his intention. ''Babe...first of all, why didn't you tell me this sooner? And second...it's not that I don't wanna have sex with you. I just didn't want to make you feel uncomfortable.''.

''Uncomfortable?'', you looked up with big eyes. ''Well, I don't know...since that day we found out...you kind of have been all about the safety of the baby, and health for your body and doing yoga and etc. Just everything. I felt like, me bothering you with my needs, was something that would stress you out. I just didn't want to put pressure on you, into thinking you had to, since your body is now a temple to keep safe.''.

''What does sex have to do with that?''. He also didn't think this through too much. These last 8 weeks have been stressful for the both of you. ''I don't know what else to say... I never meant for it to seem like I didn't want to, I wanted to...everyday actually.''.

Your eyes lit up. ''Really? You don't think it's weird now?'' ''Weird? No. Do I feel like we have to be carefull and mindfull about this? Yes. I don't wanna hurt you in any way baby.'', he said wisely.

Instead of worry, all you felt now was happiness, being in a position that a man like this was the man who you were having a baby with. ''You're actually amazing, you know that babe?''. He smiled, then giving you a deep kiss. And the kiss kept going. And going. When after a while he was laying on top of you.

''Let me take care of you tonight. I will be gentle in every way. You deserve a treat, after this long.''.

He knew how these 8 weeks have been on your body, let alone how difficult the other 7 months are gonna be on you.

''You sure you wanna do this?'', you asked. ''Absolutely.''.

...Masterlist...

⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎

© 2022-2025, smellslikechahnspirit • No posting on other sites or platforms, rewrites, or translations

[jennamoran]

If a strategist from Glitch were to try and go about killing a god (maybe they’ve backslided, maybe the god is just really annoying or trying to kill their friends), how would they go about doing it. What would be the best way to use Eide, Flore, Lore, or Wyrd?

-

Jenna, my readers are always asking me, how do you kill a god? But there is no one size fits all answer to killing gods.

You have to look within yourself.

You have to find the unique way of killing gods that expresses you.

-

Glitch is a game where you tell stories, and an important feature of stories about killing gods is that they are not all the same.

Some are long. Some short.

Some put their protagonists through heck. Some let them just glide through.

Stories can have very different ideas about what it takes, and what it means, to kill a god.

Gods, too, can differ.

-

If you're frustrated, looking at Glitch, trying to find the thing you're supposed to do to accomplish task X, you're misunderstanding the intended flow of play:

To kill a god, decide how you want to kill a god.

Then, express it in the form of actions.

Optionally, discover that you're misaligned with the group zeitgeist on how god-killing stories work, and adjust.

Then, the god dies, or doesn't.

If you're having trouble figuring out how you want to kill a god, then you might need to stick it on a back burner. Over time, you'll have a better understanding not just of the game options the traits provide but of how your character uses them, and some things your character might want to try will gain more dramatic weight in the group zeitgeist.

-

Decide you want to kill a god by shoving it out of your way into the street. Declare that as an everyday Ability action.

Decide you want to kill a god in a complicated flower rite. Declare that as a quest or planning miracle.

Chain it down in a place of sorrow with a Greater Invocation. Erase it with a handwave and your Wyrd. Give in to the wicked voice of your god-killing knife, that whispers to you always, and draw the curtain on the scene, and expect that when the next scene starts it will be dead.

Declare that gods aren't real, and let it poof away.

In every last case, perhaps the group goes, "Yeah, that's a satisfying answer!" Perhaps they don't. If they don't, then your action still "works," in that it happens unless in direct conflict with a stronger action, but it likely doesn't kill the god.

-

A secret is that this is not just how Glitch works.

In almost every RPG, the way you make something happen is get the group on board with that thing happening. All rules can do is help that happen.

If the rules of Glitch could make that happen then you wouldn't even have to read them, you wouldn't even have to know you were playing Glitch, you could think you were playing D&D and accidentally play Glitch instead and the rules would sort that out for you.

They can't.

-

When it comes to killing gods, the game of Glitch bestows a certain implicit authority on higher-level miracles, particularly epic miracles; miracles that take time to play out; miracles that imply in their description that they're on the right power level for killing gods.

Strategy and Greater Strategy are good ones when they apply, because you can get the players on board during the planning process, spend a while playing it out gathering narrative momentum, and then have it feel well-grounded when it works.

If you have a Talent for killing gods, then that probably works well, but also tends to reframe the game as one where you're killing a bunch of gods and more story time gets spent on the ones where there's a twist that makes it difficult. Think of the Traveller in Black; as competent as the traveller is, they still spend most of their time "in play" dealing with entities that are difficult even for them.

Greater Invocation is well-built for attacking gods.

Destruction and Greater Destruction can be good, though honestly they kind of push the GM to make a complex conflict out of it, which in turn means it's actually the Wailing Rite that would serve you best.

Flore is all kind of of one piece, but you'd definitely want to start with a Greater Glorification on a god-killing weapon.

-

If you decide in play to do something that the GM and group think you can probably do, but which they also think should feel difficult and earned, then you probably have to spend some time on either a quest or a spotlight-driven exploration of what's going on with that thing before coming up with a plan people think is cool, executing the plan, and then having the plan mostly work but devolve into some kind of chaotic complex conflict at the end to finish up the final details.

If you decide in play to kill a god ... well, probably the GM and group will believe you can, but also think it should feel difficult and earned. That's kind of what the book implies, at least.

-

In the old days---I once wrote this.

In the old days, they didn't know very much about the world. But they made maps anyway. If they had to map something they couldn't, they just drew whatever they felt like and wrote, "Here there be dragons."

We still don't know very much about the world; and there are things to map of it besides its surface.

How do you write a book?

How do you kill a god?

Can broken things be remade? Can destinies change? Is it worth the risk of hope?

Important questions, but one can only shrug, you see:

Here, there be dragons.

-

As for Glitch, I mean, like ... the game only has two rules, and they're not even a dozen words between them; some things had to be left as exercises for the reader, and the dreamer, and their group.

[koeniginderskizzen]

I forgot if I ever reblogged this or not but I'm reblogging it now as an excuse to talk about how much I need this to happen in someway in Chapter 3 or 4. It's basically my biggest wish for the upcoming chapters.

I'm in the camp of "Ralsei isn't Evil, he's just weird like that/ thinks it's all for the greater good if anything".

To recab a little, Ralsei has been alone his entire life as far as we know, so he isn't that well adjusted on how to act in social situations. His go to method of comforting is distracting from the bad stuff, or not mentioning bad stuff at all, which could very likely be because he doesn't really know how to handle it and just thinks "positivity=good, so better avoid negativity because that would cause distress, which is bad"

We also know that the legend, and the supposed purpose of darkners was kinda his life guideline, so to say. Ralsei thinks that his purpose is the legend and to serve the lightners, and he doesn't want to go against it. Be it because of Roaring, some other hidden thing/ plan we don't know of yet, or because he never knew anything else. What's important is: in Chapter 2 Susie began to challenge that mindest a little.

In the SweetCap'nCakes battle, Ralsei firstly insists that Kris, or us, is the only one who is allowed to act, maybe because it gives us a unique, irreplacable role, which could make us happy, but Susie forces him to learn R-Action anyway. When alone with us, Ralsei says that he learned from Susie that being yourself can be enough to be a friend but then adds that he doesn't actually know who he is as a person.

Which is why Kris being revealed to Ralsei as the person who made the fountain would be such a huge next step!

Now Ralsei actually is confronted with a situation where one of the people he trusted, and especially someone he is supposed to serve and be kind to no matter what, goes directly against his wishes. What is he supposed to do now? He could just put his feelings under a rug, and I Imagine he might even do that at first, but the important thing is that he has to deal with that conflict of being angry at Kris, but also having to stay supportive, which could even culminate in him expressing that disappointment, and defining himself as his own person who's feelings matter, and who isn't just a servant, even more.

I really need this for him.

I Imagine the legend and the roaring is in some way linked to the player, and if Ralsei learns to become his own person throughout the game, that could even lead to him potentially choosing to abandon the legend for the sake of his friends.

Or he won't, the important thing to me is, that the choice will be his own (because I love Ralsei as a character)

chapter 3 probably

[radiantmists]

Haven't finished my day one fic but here's my entry for @charles-rowland-week Day 2: Chorb!

I see a lot of cute orb-ghost content and love it, but for some reason when I sat down to write my brain went: that experience must be terrifying on both ends. Especially if it happens when they're pushed to the brink, a circumstance that otherwise leads to ghosts just... dissolving. Especially the first time.

So here's the first time!

***

Charles can't remember how he got here; he hasn't really got any idea where here is, except that the ground he's lying on is too hard and the light is so bright it burns his eyes whenever he opens them.

Though that might actually be something wrong with his eyes, judging by how much the rest of him hurts. He must have pissed someone off real bad, to be in this much pain, but he can't remember who or why. He hopes it was worth it.

"Charles," says a voice, a voice he knows. Edwin's here, and he sounds upset, and like he's trying to hide it. Charles manages to pry his eyes open for half a moment before the searing pain forces them shut again, but in that brief second he gets a glimpse of Edwin-- just his neck and the bottom of his face, the harsh press of his mouth.

Charles has seen that expression before, knows it comes along with wide eyes that give away what might look like frustration otherwise; this is the face Edwin makes when he's terrified.

Edwin shouldn't be terrified. Charles tries to reach for where he thinks he was, to comfort him, but just the idea of moving his arm reminds him of how much his shoulders hurt, and he half-screams before he can swallow the sound.

"Charles, just-- just lie still a moment," Edwin says beyond the roaring of his ears, and it shouldn't be a hard request with how much moving hurts, but Charles doesn't think he can bear to lie here like this much longer, the ground digging into him and the pain burning through his bones.

There's something wrong about that. Charles shouldn't be able to feel the ground, however hard it is; he doesn't actually have bones to burn.

He's dead, but he's still hurting, somehow, and that doesn't seem fair, does it? He'd sort of thought he'd escaped it, for a while. Maybe a little pain was the cost of being alive, but now-- unable to feel any good thing-- it just feels cruel.

He's so tired of hurting.

"Charles," Edwin's voice breaks through again, only this time the tone is different, somewhere beyond fear. "Charles, please, don't-- please just stay--"

His voice breaks on the plea. Because he is pleading, which is all kinds of wrong. Edwin doesn't beg when he's terrified; he goes silent and still like a hunted rabbit, which Charles hates with all his being but he hates this too. Edwin shouldn't beg. He shouldn't have to, not with Charles, who has embarked on the afterlife-long project of making him as happy as possible.

Not going anywhere, he tries to say, but his mouth doesn't want to obey him and instead he just sort of groans. He can't move his fingers-- he's not sure he has fingers, right now. They don't hurt anymore, but he can't really feel them either.

He remembers that: losing his fingers first, then his toes, then more and more. Edwin had been there then, too, strange and funny and unbelievably kind, and Charles hadn't had the chance to worry about his toes. Edwin had given him that gift, the gift of not being scared, and then he'd tried to run off like it was nothing, like after all that he'd thought Charles would just leave Edwin to the lingering terror in his eyes when he spoke of Hell.

That terror has never left completely, despite Charles' best efforts. He's started to think it never will, and the thought hurts, but at least he'd thought it was getting better; except now Edwin is terrified, and he's the one begging Charles to stay. He's still talking, somewhere beyond the pain, and though Charles can't make out the words, that heartbreaking tone is still there.

Charles isn't leaving him. He refuses. But he can't bear this either, the pain making it so hard to think, to remember. Edwin's voice is a lifeline, but it's getting more and more difficult to hear it, and he's not sure it's just the ringing anymore.

He's a ghost. He doesn't have ears to ring, not really, or bones to ache or eyes to burn when he opens them. Piece by piece, half on purpose and half unable to hold on, he lets it all slip away, until all that's left is the conviction: whatever happens, he wants to stay.

It feels a little like changing his hair, the way Edwin had taught him, just holding on to what he wants until that's what he is.

Mostly, though, it feels like dying.

***

He knows less and more, like this. He doesn't know where he is, and there's no feeling to help him guess, no pain or light or voice in the ears he doesn't have anymore. He doesn't know how he got here, doesn't know how long he's been here, doesn't even know who he is, really.

But he's not confused, because what he knows is this: he's dead, and it's not fucking fair, because he had so much left to do. He knows he was going to do better, that he was going to fix things, and now he'll never have the chance. Part of him seethes at that, and part of him just wants to take the hint and stop trying.

Except he also knows, somehow, that he does have another chance. That he's still here, even if he can't feel or taste or smell-- or even see or hear. That he can move things, somehow, change them, sometimes even fix them. He can solve crimes and save lives and on very good days he can make Edwin laugh.

He remembers that, the last time he'd made Edwin laugh-- just a little chuckle, really, but helplessly sincere, and the smile had stayed on his lips when he'd said, really, Charles--

The world unfolds around that voice speaking his name, first just memory into sound and then the awareness of ears to hear it, of a head to turn toward it and arms to push himself up, of something soft and forgiving under his palms, and of eyes he can open to see Edwin's face, remarkably close and blinking with surprise that, as Charles watches, collapses into relief.

"You came back," Edwin breathes. From this close, Charles can see the tears well in his eyes. Edwin, who he's seen burn half his hand off without even noticing, is crying over Charles.

It's not really a choice, to reach out with hands that still look a little misty and pull Edwin close. Edwin clutches him back, curling his hands in the back of Charles' shirt and tucking his chin over Charles's shoulder like if he just holds Charles close enough, he can hold him together.

Maybe he can. Charles curls his own fingers into Edwin's coat, breathes deep just to feel his ribs expand into Edwin's grip, ghost-cool but firm and real, real, real.

"I was afraid you were gone," Edwin says.

I was too, Charles doesn't say.

"Told you," he murmurs instead, "you're stuck with me."

[sadlynotthevoid]

An enstars social media fic with outsider pov included (aka, fans and the public) must be very funny because then you'd have:

• Random no idol fan person asking why is a highschooler going around with a sword.

• Video compilation of Rei Sakuma acting like a vampire.

• Video compilation of Rei Sakuma acting like an old man.

• Conspiracy theories about Eichi Tenshouin and how he "is totally hiding something guys. I don't trust him!"

• "Yes. Wataru. He's hiding Wataru. Look at his hair! That guy can't be human." As a reply to above.

• Alkaloid spotted accounts because they still believe they're not actually famous.

• Regarding the above point, Mayoi's photos are mostly purple blurs or dark corners where you can see a figure who somehow the fans know it's Mayoi.

• Aira's are taken mostly at idol events— others' idol events. A moment you're waiting in the line with your friend, the next you look back and realize the dude behind is Aira from Alkaloid.

• Tatsumi is greeting or smiling at the person behind the camera in most of his, except when he's getting out of a car. Then he's smiling the brightest— and everyone else is pretty much not.

• Hiiro's are a mix of 'spending time with friends/his brother' or a selfie with the person with the camera after he almost gave them a heart attack by dissapearing and reappearing right next to them.

• Shun's accounts in anywhere having an apparently random number added at the end. It actually is the number of the times he had to get a new account to the date.

• Madara fans putting his face in cowboy pictures and cowboy memes the same.

• Madara putting his face in cowboy memes himself and refusing to use normal ones.

• Kanata logging in once a month to post the name of a submarine creature and nothing else during the rest of the day. Sometimes with a picture for reference, which can vary from a photo of the species to a bad drawing of a fish.

• Madara evolving to put his face on mom memes.

• Someone jokingly asking Madara if he can adopt them and getting a positive answer. But they have to call him Mama.

• Hiyori's fans asking him every morning what's the veredict. If he answers Good Hiyori, they rejoice and act like they're going to have a great day. If the answer is Bad Hiyori, they rejoice and take meassures to prepare themselves for a shitty day.

• No one knows if they actually have good or bad days as per Hiyori's answer.

• Occasionally, Hiyori is going to reply with a Good Hiyori but remind to take their umbrellas anyway.

• In an interview, Hiiro is made a question about what song did he enjoy performing the most and he answers sunny trip summer. Immediately Aira affirms that is because he wants to eat lemons. The conversation sidetracks and now no one know if that is the real reason or not, just that Hiiro likes lemons a lot.

• "Alkaloid sidetracking compilation" and the video is four hours long.

• Sakuma Ritsu falling asleep video compilation.

• The rest of Crazy:B exposing Rinne for fun and revenge every so often. It goes from stories from when he just arrived to the city (once he got Niki really pissed off) to his latest act of brotherly pride to, one time he made HiMERU snap, finding any embarrasing moment of his and @-ing Hiiro at it.

• [Many days] since Eichi had to be ingressed into the hospital.

• Hokuto-senpai.

• Knights posting a photo of a small part of the lyrics for their new song:

"what kind of writing tool is that?"

"is that ketchup?"

"why is it written in ketchup"

"Mustard doesn't have the same effect."

• "If I had a nickel for every time [an idol used ketchup to write on non-edibles] I'd had two nickels, which is not a lot but is weird it happened twice".

• "It happens more than you'd think". Actual ES member response.

• People asking Koga to recreate the fight with the guitar.

[ssentimentals]

Hiii, I don’t really have a prompt that’d I’d like to request, but could I get something with scoups & reader that is scared of bad weather (tornado type weather & such—speaking from experience 🥲)?

I love your writing so much & love reading all your small prompts :)

hiii! tbh i always wanted people to come up here with their own requests, but that never reallly happened as most prefer to pick from already formulated prompts, so you have no idea how happy you made me with this message! 💜thank you for your kind words as well :')

seungcheol + bad weather

when you get a notification on your phone about the upcoming storm, dread settles uncomfortably in your chest. makes it hard to breathe, squeezing your lungs painfully with growing anxiety. clutching your bag, you look up at the sky, noticing how light blue sky slowly starts turning grey. your phone buzzes and you sigh in relief, seeing seungcheol's photo on your screen.

“i got the storm notification,” your boyfriend says instead of greeting. “i’m taking rest of the day off, will work from home. where are you, baby?”

“got the groceries, going home now.” you wince at the way wind picks up. “i’m gonna-“

“can you go inside and wait for me to pick you up?”seungcheol interrupts.

warmth pools at the the pit of your stomach. seungcheol has no problems with any weather conditions, he has no anxiety or panic attacks, doesn't flinch at thundreclaps - it's all you. since he learned this about you, it never fails to make your heart squeeze with affection how he always goes out of his way to ensure your comfort and safety during these moments. “it's a ten minute walk,” you say, shaking your head. “i'll go on my own. be careful, yeah? drive safe.”

“i'll be back home very soon, angel.” seungcheol assures you.

before seungcheol no one ever made you feel so seen regarding this issue. you know that he's going to probably break some rules on his way back home just to get quicker to you and it's enough to make you rush home as well, ignoring the way wind picks up. force of nature is terrifying, especially when you know how devastating it can be; you quickly turn on the lights and shut the curtains as soon as you're inside. with years came not only age but wisdom: you learned how to deal with your fear. any kinds of distractions work the best and until your boyfriend arrives, you busy yourself with the groceries, preparing easy salad just to keep your hands busy.

seungcheol arrives with a loud bang and even louder: “baby, where are you?”. his big eyes are on you the second you appear in the hallway and wide smile spreads on his face: “hi, love.”

you grin, coming up to greet him. “hey, cheollie. thanks for coming over.”

“don't mention it.” seungcheol waves it off like it's not a big deal, when it actually is. he has no idea how much the fact that he took his job home the second he saw storm notification means to you. “you got the groceries?”

it's very domestic for next twenty minutes; seungcheol changes and you two enjoy the salad and tea, when another notification about a possibility of this storm turning into a tornado pops up. it makes your breath hitch, but seungcheol's warm hand on top of yours keeps you grounded. “let’s go to bed, yeah?” he suggests. “we can watch something.”

“but your work?” you ask, frowning. you took this week fully off and didn't have to worry about missing any important meetings. “it’s okay, really, we can-“

“don't worry about it.” seungcheol presses, taking your hand and forcing you to stand up. he hugs you tight, leaving small kiss on your forehead. “i just need you all cuddled up to me, my work can wait, okay? let's clean this up and go upstairs.”

you have no idea how seungcheol knows exactly what to do or say in moments like this. his touch is never too much, his words are never harsh, his gaze is always understanding and not pitying. when first thunder rolls in, he already has you two laying on the bed, covered from head to toe. first thunderclap echoes int he distance at first and then silences you both at the full volume. the sound makes you flinch as you've been slapped - you barely manage to conceal your whine, burying deeper int he comfort of the weighted blanket.

“it's okay, love, it's okay.” seungcheol soothingly rubs your back, pulling you even closer. “i’m here, yeah? do you want headphones?”

headphones help immensely but you were always shy about them at first; it always seemed to be so rude to just put headphones on when another person is around. seungcheol assured you from the start that he has no problems with it, but you always hesitate.

“hey,” he leans in, making sure that you make eye contact. “you come first, remember? you and you well-being always come first. let me get you those headphones.”

you can hear wind whistling outside like it's out there to get you and your heart rate picks up with dread settling as a heavy weight on your shoulders. it’s incredibly frustrating - you wish you never had this fear, wish it didn’t affect you the way it does. at the sound of yet another thunderclap, you squeeze your eyes shut and shiver, wanting to disappear. only when warm body settles next to you and headphones are placed gently on your head, only then you uncurl from your position and open your eyes. seungcheol is watching you with furrowed eyebrows, worry evident in his gaze. he caresses your face lovingly and points at the headphones, handing you your phone. “music,” he says. his thumb brushes below your eyes and he sighs. “i’m here, baby. just listen to the music, yeah?”

you nod. shuffling to cuddle closer, you whisper: “go ahead and work, cheol. it’s alright, i’ll listen to the music anyways.”

“you sure?” seungcheol asks and when you nod, he leans in to leave a sweet kiss on your cheek. “okay. but if it gets worse or you’ll need something, just let me know, okay?”

it’s so, so sweet. the way he angles his body so it’s be easier for you to lay down, how he wraps one arm around you securely and pulls you in, how he ocassionally leaves kisses on top of your head while he works. the safe space he creates for you lets you zone out, steady your breathing. you still flinch at the sounds but fear is not that strong when seungcheol is close to remind you that he is here for you. after some time he puts away his laptop and lets you flop on top of him, covering you two with a blanket.

“i quite like this, actually,” he comments, smiling.

“which part? me crushing you with my weight or me having a stupid fear?” you ask, aiming for a joke but falling flat.

“the part where we get to cuddle and i let you know that no fear is stupid and that holding you makes me incredibly happy.” he looks at you, eyes full of tenderness. “i’m happy to be here, right now. happy that you’re letting me do this.”

your throat feels too tight. before you can say something stupid like “i love you” and confess first, seungcheol adds: “can we do this more often?”

you don’t trust you voice not to crack if you speak, so you nod. seungcheol beams at this and leans in to kiss you. “awesome. now let’s nap for a bit.”

napping is definitely easier than admitting your feelings or facing the raging storm outside. you nod again and close your eyes, breathing in. you’re fast asleep in seconds and don’t feel small kiss on top of your head or quiet “i love you” spoken in the secrecy of the night.

a/n: so. if it wasn't very obvious, i know zero about storms/tornados so i'm sorry if this ended up being very unrealistic. hopefully you liked it :/ - nini

you can find my other writings for seventeen HERE

[snugglyporos]

// Christ I wish I could go back in time and erase concepts like 'unconscious bias' from the world of popular lingo because people apply it to things that they don't apply to. No, most people do not possess an unconscious bias that working class people are worth less than rich people, that's your classist ideology being applied to things that you shouldn't apply it to. We might call that a conscious bias.

What is actually happening is a mix of tropes being blended together and not changing over time. Namely, the idea that the more individuals there are, the weaker they are. We see this everywhere; fifty ninjas? Weak. Not a problem. One ninja? Super powerful. Legend. This exists in everything from James Bond movies to comics to Power Rangers.

The reality is that, narratively speaking, the random cannon fodder between the protagonist and the final boss do not matter. They don't! In real life they would, but if you tried to give ever goon a backstory and explain it you would have a shit story because the audience does not care about the backstory of unnamed good #23. After they take the punch from the protagonist, the audience has entirely forgotten they existed.

Which means that, narratively speaking, the killing of the main villain is more important and more impactful than the killing of some random goon. Now, if you're a good writer this shouldn't be the case. But this too, comes from the blending of genres and tropes.

In the late 1980s, fiction became more violent and more visceral. This means that a lot more violence was happening! And yet, writers still wanted to have their protagonist show that they were the protagonist, because people were all in on moral relativism. People would be like 'well, there's no difference between the hero and the villain if the hero kills the villain.'

The response was a lot of heroes started adopting a weird kind of no killing rule; Batman will break your fucking spine but kill the guy who just blew up a building? That's too far! 'I'm not like you, a guy who kills people, I just cripple them for life!'

And again, this is what happens when genre conventions (the hero should be morally superior than the villain, or at least attempt to be) mixing with trope developments (everything now needs to be brutal and violent to reflect real life).

Now, the circle has completed itself, where we're once again back to 1985, where people are like 'actually no, the hero should fucking kill that guy.' You'll probably be a big fan of the Death Wish movies and The Dark Knight Strikes Back; you know, things that lots of proto-fascists really love because they reinforce the notion that actually, heroes should wield violence against their enemies and impose their will through abject terror.

The reality is, people aren't sitting around going 'my work should reflect the idea that workers are less important than the boss' it's that narratively, the random goons exist to be smacked down to prepare the audience for the big bad, because rising action requires that there be rising challenges. This is mixing along with personal tastes in media.

Now, you could, for example, turn this new trope on its head and ask whether the Punisher murdering every jaywalker and low level drug dealer with extreme violence makes him a villain, because his ideal is that any lawbreaker should be murdered instantly no matter how low the crime. You might also argue that the trope should actually be that the grunts shouldn't be killed by the hero, but the guy who organized them should, because he's much worse than they are.

You could also argue that, the reason why the hero doesn't just kill the villain is that murder is wrong? Even if you think it's morally justified? I think people forget, when they fantasize about an ideal French Revolution, that the most common crime people were executed for was pickpocketing, and every day they would execute the guys who got caught working the crowds at the executions the day before. More poor people got killed in the French Revolution than rich people; you should probably keep that in mind!

Because the core reason you probably want your hero to not kill people in general is that you then have to ask who deserves it and your answer will inevitably include a lot of people you might actually like! You probably don't want heroes taking vague concepts like justice into their own hands because inevitably that makes them into the Death Wish protagonist, deciding that what really needs to happen is for a white guy with a gun to just start shooting up inner cities.

You don't want your hero to start killing people because this is corrosive and it will inevitably result in comparisons between people who got killed.

So no, it's not some kind of unconscious bias, it's because we've melted a worldwide demand for bloodshed and violence with established genre tropes and if you removed one or the other people would complain and be very unhappy.

Or, I guess you could go on and say that Freddy Kruger is anti-marxist because he only targets teenagers instead of people who really deserve it.

[ivivenus]

My Checklist for Helluva Boss Season 3!

This list consists of all my theories that I have for season 3. I've been seeing people share their predictions, so I wanted to share mine!

♡ Barbie Wire's reappearance: I have a strong inkling that Blitzø may run to her while he goes to Sloth to pick up Stolas's meds. I don't think Barbie would mention Blitzø almost getting executed but I would love it if it does.

♡ A Pro Choice Storyline: I want Millie to feel that she has the right to choose whether she wants to keep the baby or not and not let the pressure from society keep her from making a choice. I also want this storyline to align with Stella's backstory where it shows what's it like to have a child you don't want with a man you don't like.

♡ Verosika's Healing Journey: All I really want is for Verosika to at least go back to rehab to help her alcoholism. After Apology Tour and Mastermind, she seems to be doing slightly better.

♡ Tilla & Cash Buckzo Flashback: I have a theory that Blitzø and Barbie's parents are similar to Stolas & Stetlla, where Tilla stays for the kids, while Cash was abusive. I also want this to be a way to help Blitzø connect with Via, since they've never really interacted.

♡ Loona & Octavia Interaction: I want it to be opposite of Seeing Stars, where it's not a calm conversion. I just want to see Loona passionately open up to Via about having the first 17 years of her life with no parents in an adoption center while Via had the best childhood that anyone could wish for.

♡ More Fizzarolli: I just like the clown twink.

♡ The Divorce is Finalized: The divorce was initiated in S2E1 and by S2E4 Andrephelus was talking about compensation for Stella. Then S2E8, Stolas says that he won't dwell upon the divorce, and in S2E11 Andrephelus refers to Stolas as "horny ex husband" to Stella but as her "husband" during the trial. I don't think the divorce was ever finalized. With this I want Blitzø to find out what kind of wife Stella was to Stolas.

♡ Striker vs. Blitzø: I don't have a prediction on how this'll happen but I would love to see Blitzø get angry for Mastermind and Western Energy. I also want Striker to say something petty like "Didn't you say it was a transactional fucking?" (S1E5).

♡ Barbie joins IMP: I don't think she'll stay long but it would be cute to see Blitzø help his sister out.

♡ Stolas's Weight Gain: To me, I feel that Stolas struggles with body image and self confidence. Stella literally called him "scrawny" and a "twig" in S2E1, and I feel like his eating habits are not healthy. It's literally cereal and absinthe. I would love to see him try Blitzø's cooking and explore new food items where he gets a bit heavier (and his thighs get thicker).

♡ Moxxie & Stolas Interactions: They are great characters but I want them to have friends outside of their partners. Stolas can sing with Moxxie and they can eventually watch musicals together. I really just want them to have a friendship like Blitzø and Millie does.

♡ Stolitz Cheek & Forehead Kisses: I'm still not over the fact that Stolas was unaware that Blitzø kissed his cheek in Mastermind. Also, they've seen each other's holes already so they deserve to be soft with each other.

♡ Andrealphus Failure: I've had this theory since the end of Mastermind where hell would basically freeze over to an apocalyptic wasteland because Andrealphus doesn't know how to use the Grimoire or do any of Stolas's duties. It can be easily forgotten (because we don't see it really) that Stolas is like a tarot reader/astrologer and he curses the moon during the Harvest Moon Festival so that the farmers can grow crops. Andrealphus is a peacock that has ice powers do geometry.

♡ Octavia's 18th Birthday: After that Sinsmas fight, I don't think Andrealphus will just let Via have Stolas's possessions. He'll most likely do anything to get rid of her and keep the power. I can see him trying to marry her off to someone and Blitzø and Stolas find out. I would love to see Blitzø slip up and call Octavia his daughter when he's trying to save her. I can see this being the finale and Season 4 is the aftermath.

♡ Stolitz Conversation: Eventually, Stolas and Blitzø are going to have to finally talk all that happens between them. I really just want them both to apologize and Blitzø drops that he loves Stolas. I've been waiting for these two talk it out for three years!!

[soldearestsoulmate]

Character + Prompt/Request:

Sol x GN!Reader, for the beginning, then Sol and GN!Reader (spoiler. you break up)

One angsty torturing of Sol coming right up! pfff <3 (More could of been added to this...A continuation? Maybe Reader comes back...Even after all the red flags there, and suspecting what was done...What if they still come back? Only time may tell. lol)

Warnings: Attempted drugging with sleeping pills, manipulation, toxic relationship.

“Why would you put so much hope in me? Things have clearly never worked out for me!”

Rarely he rose his voice at you, unless he really was affected by his emotions, which clearly he was right now.

You've heard him say this before though, done this before. Over and over again, things go well, then they fall, then you work to try to rebuild it all with him, for him.

You loved him, you did. Cared for him deeply. But everyone has their limits, and you finally reached yours.

"You're right...They haven't, and maybe it's a sign this won't work out after all." His eyes widened at your words. He opened his mouth to speak but nothing came out at first. Then he started to panic, you could see it clearly, he quickly grabbed your hands, with pleading eyes.

"NO! THIS WILL WORK! IT WILL! IT HAS TO! YOU'RE MY SOULMATE AFTER ALL! WE'RE MEANT TO BE!" You felt his hold tighten, it was starting to hurt...

"Sol...Maybe you've been wrong though? What kind of soulmate can't make their love truly happy?...Help them with their problems when needed most? Make them more happy than sad, and feel more love than sorrow? That's no soulmate...at least one you deserve. You deserve better."

"No no no please don't say that. Don't believe any of that. I'm sorry! I'm sorry I keep screwing this up! I keep making it hard for you, for us! But I'll try, I'm trying! I'll do better. I'll--I'll try therapy again. I'll talk to Hyugo and--"

"And what? We repeat this all over again? Sol...Please...You know we've been hanging on by a thread for too long...I love you, I really do but...I love you too much to keep making you suffer like this...I...I can't stand to see you hurt anymore...And I know I'm mostly to blame for it all..."

"NO! YOU'RE NOT! IT'S HIS FAULT! ALL ICHABOD'S FAULT! EVEN AFTER RIDDING OF HIM HE STILL--"

"...What?"

Sol let his grip go, taking a step back, realizing what he said. "I mean...I..."

"Sol...What about Crowe? What do you mean 'ridding of him'?"

"P-pumpkin...I can explain. Let me just--" Sol attempted to hold your hands again but you stepped back, moved away from him. Eyes widened in confusion and fear.

"...What happened to Crowe? Solivan, god help me if you did something to him--"

"Pumpkin please! I swear it's not like that! Just let me explain and--"

"Then explain right now what happened to him. Explain or I will call the cops." Sol felt his heart skip a beat and tighten from your threat. Yet he forced a smile, trying to act calm.

"Of course...But let me please make you a drink, some tea, it'll help calm you while I explain...Okay? Please..." Sol's pleading eyes never failed to have a affect on you...So you nodded and let him go get that drink for you.

As Sol left the room, he texted Hyugo, a simple text, saying "They found out." sent out and then he put the phone away to focus on you.

He went to the kitchen to prepare that tea he promised, but pulled out something he thought he'll never have to use again.

"...You just need some sleep, pumpkin. I promise you. It'll all be better soon." He softly said this as he mixed in the pills into your drink. Then looked at the drink in his hands. He knew this had to be done, but wished it didn't come to this again. "I'll make this better again. I promise..."

After a moment of making peace with this decision with himself, he made his way back to the room where you were at.

"Here you go, pumpkin. One warm cup of tea made with lov--" Sol froze as he entered the room, to see no sight of you. Then saw the window wide open, your one and only exit taken. He didn't even care about the cup of tea he dropped, that both shattered and spilled over his shoes.

All he was focused on now was running to the window, to look around outside, in hopes of seeing you but you were nowhere to be found.

"PUMPKIN?! Y/N!" His breathing quickened, his heart raced, he felt his panic rising more as he started to pace the room. Looking for a sign of where you could of went. He even flipped the house upside down for a possible chance of finding you, hoping you were just hiding but you weren't there. You were gone.

Then with trembling hands he grabbed his phone to try to call Hyugo but kept messing up. He was scared, not over you getting the cops after him though. He was scared of losing you, of you being away from him.

He wasn't thinking straight anymore. He left the house in a panic now to look for you, to find you and bring you back home. To make this all right, but you wouldn't be found...Not anytime soon that is...

So he'll just run, and search for you for hours, calling you out, begging and pleading for you to come back. All while he ignores Hyugo's panicked texts and calls...

[aphelocoma-bird]

One thing I am really glad about my becoming disabled is that it happened at the peak of my self esteem. Can't imagine if this happened during my shitty "waa waa I have to please and be kind to everyone" phase. I'm so glad I'm in a place I can tell people to get out of a seat for me, or ask people to fetch me things, tell people we're going somewhere else because it's more accessible or cancel plans because I'm sick. It kinda rules that it hit me at a point where I know I'm loved and wanted and understand that people will make accommodations for me when I ask for them. If I got sick when I was super anxious all the time I just don't think I'd be doing anything. Anyway if you're disabled ask for more and take up more space, anyone who doesn't give it to you is an asshole and shouldn't be in your life.

[mysaldate]

Doesn't that sort of make sense though? Why would the characters make a big deal out of it if it's normal for them? It's kind of an issue I have with a lot of fantasy series, the characters are all from this world where magic exists but they have to act surprised and clueless about it for the audience's sake? That has always felt cheap and kinda lazy to me. Yes, act like it's normal because it is normal for you. Don't make a big deal out of it and let us figure it out. Yes, you run a risk of a lot of fandom glossing over it but imo, it's much better than breaking character just to coddle your audience.

On your age point... no, that doesn't really work. The game is originally a joseimuke, meaning for working-class women. Just because Aniplex and Disney US decided to dumb everything down for the English release doesn't mean teenagers are suddenly the intended audience. The characters are those ages because that's a popular trope and that's it, they might be 30 or 50 and they wouldn't change because the age label on fictional characters is arbitrary as they are not real. Yes, Disney JP still keeps certain things censored/safe but far less than whatever is going on in the EN release. In a similar vein, the whole "respect women juice" thing was added in the EN release while in JP, it was left at the fact that women are intimidating and more physically imposing which led to Leona and Ruggie trying to appease them even outside of their own culture (we wouldn't exactly call that respect, now would we? We don't say women irl respect men when they go out of their way to appease them because they are physically stronger).

This isn't about whether or not Jack has a knot lol. This is about how many features the characters do have that the fandom just explains away or even straight-up ignores. And it gets worse when it comes to cultures. The hyenas are mistreated in Sunset Savannah because they have a bad reputation (yes, it is a part of what happened with Scar but also for biological reasons) which then leads to them having to scavenge for food and use trickery which furthers the stereotypes even more. Leona's palace guards are all women because lionesses are usually the ones guarding a pride. Leona does roar or growl in the story on multiple occasions (and a roar is even one of his battle lines iirc).

Malleus was literally born from an egg, that's a pretty big thing imo, people even like this, they just don't like thinking about what that might mean for Meleanor. Also, dragon fae only being able to conceive with their true love? That's a pretty huge difference. The fae in general communicating by hisses and chittering noises? Yes, it's a language for them but at the same time, that's a pretty non-human thing to do. And despite Lilia adopting Silver, he never taught him the language so there's a question of whether full-blooded humans can even learn it.

I agree with you that this is a prevalent problem in media, I just don't think twst is as devoid of it as you seem to suggest. Yes, fandom is always there to explore things more and push them to their logical limits and conclusions but, again, I think twst gives us a ton to build off of. It makes sense to me that they don't make a big deal of it, much like they just off-handedly mention other parts of their world that are normal to them but alien to us, simply because it's no big deal or it is common knowledge for them ("By the Seven!" is an easy one. Nobody feels the need to explain it but we all know why that is, another example would include Mozus' off-hand mention of the discrimination against beastmen in the past, and obvsl there are more all over the place).

Anyway, this got long, sorry. I like discussing this sort of thing even if we don't come to an agreement. Personally, I like the way twst does it but I do get why people might want more obvious explanations and followups on things in way that are harder to disregard.

I need. Twisted Beastmen and the like. To be more animalistic. Not necessarily like, physically, I don't meant that in the furry sense. I mean that in the 'they're part animal and it'd not just for show' sense.

I want beastmen with claw like nails. Where the cat-like ones tend to walk on their toes when not wearing shoes because it feels right. Where their eyes and pupils reflect the animals that they're partly of. With fangs and teeth appropriate for their species.

Ruggie making laughing noises at the active prospect of food. Whooping when in a fight and needing backup. Lowing when excited for a fight.

Leona roaring to get the whole dorm's attention. Chuffing in greeting at people he considers part of his pride. (He'll sometimes grunt at Cheka like a mother would to her cubs but will deny it.)

Jack barking at danger to warn others and howling to try and figure out where his pack is (he forgets they can't howl back, but Ruggie will sometimes low at him and Yuu definitely tries to howl back.)

I want to see Azul with the tips of his limbs in human form retain some of his octopus natural ability to camouflage. I want to see his hands always moving, grabbing something, holding something. Azul who might not have bones in human form with how flexible he is??

The tweels who aren't very active naturally during the day but get really hyperactive at night. Who bare their teeth at people when excited.

Che'nya who lounges in the sun on lazy days. Who's great at stretching and popping everywhere in his body if he needs to, to a concerning degree.

GIMME FEY WHO DONT ACT HUMAN

Malleus who snorts smoke when he's angry. Malleus who wear gloves because he got claws. Malleus who has a tail and wings outside of his dragon form sometimes.

Lilia who gets just a bit too excited at the prospect of a fight and spilling blood. Who can recognize a person by the smell of their blood. Who makes inhuman noises when too excited and gives off a very eldritch horror kind of vibe if he lets loose.

Sebek who can be found eating rocks sometimes. Who finds quiet in thunder and lightning. Who can move so smoothly and silently you don't know he's there until he opens his maw. Who has a lot of really sharp teeth for someone with a human mouth.

Just- gimme some animal, like, REALISM. PLEASE.

[possibilistfanfiction]

i really enjoyed the back and forth that cait and vi had where she asks her whether she’s been to university. i think they’re two people that match each other’s energy so well and truly understand each other even when they were just getting to know each other.

so maybe a prompt where they have their first big fight that they haven’t been able to work through like they usually do and jinx is the bridge that connects them both and helps them see where the other is coming from? i love reading about jinx’s relationship with the two of them and how she still struggles with thoughts of letting vi go to be loved by cait too.

[jinx the mvp, 10/10 little sister. lots of u wanted some more jinx interacting with cait / vi + cait which like same! additionally, p obviously hints at autistic cait bc 10/10 also. their argument is truly so dumb but hard relate lol]

//

tense is an understatement, but, you swear, it's totally not your fault.

or, at least, you're mostly sure: you had a full day of classes, and then your lab work study, and you made out a little and then napped in ekko's dorm. you didn't sleep over because vi had told you that caitlyn was going to come over tonight, and, despite her being annoying and prissy and the two of them sometimes having sex loud enough you could hear it through the wall, she does always bring you the best takeout from all of your favorite restaurants, orders way more than you could afford. it was, definitely, a necessary bribe the first few times, but it's been almost half a year of cait and vi, so you've accepted your fate now; she doesn't need to know that, though, because it's fucking boiling outside and you can't wait for the fancy greek salad and fresh squeezed lemonade you know will be sitting in the fridge for you.

you expect to walk in to the two of them canoodling on the couch or some other gay activity like scrabble (vi is a horrible speller, so it's kind of pathetic, in your opinion, that she lets caitlyn suggest it and agrees every time) or watching killing eve for the bazillionth time (less pathetic, and much hotter, but still) or carefully compiling all of the gear you need for your climbing trip over the weekend (the best overall option, because, obviously, but it's still too devoted for your liking).

instead, when you open the door and go through your daily routine of flinging all of your stuff all over the entryway that vi insistently keeps spotless, just like the rest of the apartment other than your room, and yell honey, i'm home!, you're met with stony silence, and then a stressed, 'hey,' from vi, slumped over at the kitchen island, glumly sitting on a bar stool with her chin in her hand.

'uh, hello.' you rummage around in the fridge and easily find, just like you dreamed, your salad and lemonade, and there's even some baklava left out on the counter — more than one portion, and you kind of know, already, that things had really nosedived. you sit down next to vi. 'sooooooo... where's our esteemed dr. kiramman?'

vi sighs, totally put out. '"taking a walk,"' complete with air quotes.

you hmm around a bite of mostly feta, perfect in your book. 'first fight?'

vi pinches the bridge of her nose; her shoulders and jaw are set in a way that you recognize from your entire life watching her try not to cry.

'okay, well, what did you do that was wrong, and what did she do that was wrong?' vi turns to you, all of the anger seeping out of her glare when you hold up your hands in defeat. 'i mean, it's usually a two way street, right?'

'you've gone to way too much therapy.'

you laugh, and it gets vi to crack a smile. the reality is that you're going to be on a bunch of medications and in psychiatric care, hopefully outpatient, for the rest of your life, but, honestly, you're basically killing it: you're hot, brilliant, and haven't had any delusions or psychotic episodes in well over a year — total triple threat.

you nudge vi in the shoulder. 'so what happened?'

'i don't even know,' she laments, genuinely dramatic. 'we were having dinner, and things were fine, i was telling her about one of the calls i went on today, and then she just, i don't know. started acting really short with me, and irritated for no reason, and it just... spiraled, i guess. we were both frustrated, and i was unkind, and she cried, and then she said she needed to take a walk.'

you finish chewing your bite. 'well, that doesn't sound, like, horrible. and, no offense, i'm sure she had a reason.'

vi picks at the mostly-healed scab on one of her knuckles. 'i have so many shortcomings, compared to her.'

you roll your eyes. 'you're the best person i know. i will deny it until the day i die, but you are, vi.' sometimes, you still want to keep vi all to yourself, but she's been happier these past six months than you've ever seen her. 'you know that's not what i meant.'

'whatever.'

'look, i'm sure it's more than just you.' caitlyn is, overall, a fairly patient person, and she's been gentle to your sister in the most important ways.

'you just said it was because of me.'

you groan. 'this is why you got in a fight. did you have a bad day too?'

the scab on her knuckle comes off and the cut underneath starts to bleed; vi presses her thumb into it. you hand her a napkin instead, waiting patiently until she takes it. maybe your petulance was an inherited trait, you think. 'i couldn't get someone's pet out in time. a cat; i just couldn't find it, and, i don't know. it's my job, and i did all i could, and i got yelled at for staying inside too long, and i'm just —' tears well at her eyes, and she's always been so soft — 'i'm so tired. i didn't want to have a fight.'

shushing her with platitudes would never go well, but you've grown to understand that vi missed five years of gentle touch, probably when she needed it the most. it's not often you get to take care of her, but you're thankful you can help now, at least a little. she leans into your hug and cries into your shoulder, and you just let her. 'you gotta stop staying in burning buildings too long, you know. scares the shit out of me.'

'i know,' vi mumbles into your shoulder. 'i don't — i don't mean to. scare you, at least.'

'well, maybe cait was scared. maybe, she didn't express it well.'

'that... could be part of it,' vi admits, perking up a little: that's not insurmountable.

'it's good, you know, that she took a walk. great coping skill, grounding through bilateral movement.' vi stares at you blankly, although it's just an act because she's been to years of your therapy with you and knows exactly what to do when you're having a hard time. you personally haven't talked to caitlyn outright about details, either, but you're sure vi has and you're definitely not unaware: caitlyn stims, like, all the time, in subtle ways but ones you recognize, and she hates eggs because of their texture, and you've watched her have little mini meltdowns over crags being crowded, or traffic being worse than it showed on the map; just last week when vi got her annual "summer haircut" without telling caitlyn first she'd excused herself for a moment to, you're pretty sure, cry in the bathroom — nothing to do with control, only needing more processing time and space to adjust to change. 'i'm sure her brain gets overwhelmed sometimes, too. big emotions, and being tired, and eating noises? nightmare blunt rotation, for me at least.'

vi thinks about it for a moment, and then she, thankfully, laughs. 'you wouldn't last a day in prison.'

'so true,' you say, and you don't let the grief eat at you, not right now. 'but you did, and you should eat your baklava before she comes back.'

vi looks at the dessert, a little stressed, but you just shrug and offer her a small fork from the drawer.

'i'm going to my room to eavesdrop.' you grin and put your share on a small plate. 'if you need me to cause a commotion, we can have a code word. i have plenty of things going on that would explode safely.'

'not too words that i feel confident in as a pairing.'

'thinking of the security deposit. very wise.'

it has its intended effect: vi snorts a laugh and takes a small bite, pleased at the honey and pasty and pistachio.

you squeeze her shoulder. 'love you, sis.'

she puts her hand on top of yours: always bigger, always stronger and steadier, always gentler. 'love you too.'

//

you do listen to them, whatever, once cait comes back. she apologizes, and then vi apologizes, and you live text the entire thing to ekko because otherwise it'd probably be too sappy to endure. they get at the heart of it pretty quick, mostly thanks to your advice to vi, thank you very much. apparently, caitlyn felt overstimulated from a few long work days with way too much masking, and the heatwave, and not enough sleep, and, unsurprisingly, you were right that she was frustrated with vi putting herself in danger and also chewing her gyro too loudly. vi had gotten frustrated because she was confused what she'd done wrong, and why caitlyn was upset, and she was really hungry because she'd skipped lunch so she already didn't want to have a long conversation while they ate, and, bigger than all of that, she always worries that she's not good enough, that she can't save everyone. her voice breaks a little when she explains.

'oh, darling,' caitlyn says, which, in ekko's words when you text him, barf, 'you can't save everyone.'

'yeah,' she croaks in a reluctant agreement.

'but you've done so well by your family, and those who love you. we don't need saving, we just need you.'

when vi starts to really cry at that, like, maybe you shed a tear or two as well, because caitlyn is an outsider. she hasn't know you your whole life, and she didn't know you when you had no idea what was real or not, when you thought vi — visiting you in that cold, damp tent, patiently, not forcing you to leave, for weeks on end — was some sort of ghost, when you spent days unable to fully wake up or stop moving, some horrible purgatory, when you were hospitalized and in withdrawal and the doctors hadn't figured out the right dosage of the right meds yet. even though you know vi has explained the basics, there's no way for caitlyn to fully understand that you did need saving — and vi did save you when no one else could.

but maybe she's right, at least now. you have a home and you know what's real, and vi isn't counting the endless, violent days of incarceration on her wall, tally marks stained in blood, and no one has done any big thing wrong; no one, really, is hurt.

ekko had dragged you into taking some queer poetics seminar, mostly because he wanted to and the idea of him pressing flowers into books and then reading you poems was not wholly unappealing, and you remember a fragment: i am not someone who likes to wound.

it's quiet, for a while, between the two of them, and then vi apologizes for causing even more sensory input by getting her tears on cait's shirt, and cait laughs, and you know vi is smiling, relieved.

'you can come out now, jinx,' vi calls, and you roll your eyes but you do go out to the living room to find them curled on the couch together before caitlyn gets up and pours herself a glass of wine and opens a beer for vi. you can't ever have alcohol, not on the long list of meds you have to take, but vi had gotten you a bunch of non-alcoholic beer to try: you don't have to say it, not anymore, but sometimes you still just really want to be like your big sister. ekko's gotten really into mocktail mixology for parties, and cait has brought over non-alcoholic wine too, a bottle every now and then. love shows up in all forms, so often.

you sit in your favorite reading chair, fluffy and overstuffed, while they get situated back on the couch, and accept the glass — the beer perfectly poured, annoying — from cait before she settles in.

'all good?'

vi hums and looks at caitlyn adoringly, and caitlyn runs her thumb over the tattoo on vi's cheek.

'ooookay, i'll take that as a yes. are you sure you don't want time for some more... intimate reconciliation? i can go to ekko's or hang out on vander's patio.'

'that's okay,' caitlyn says, and vi squeezes her hand. you get it: sometimes you don't really like touch, not like vi literally always does, especially when the world already feels too close and loud and sharp. but vi is kind, and she does her best to understand, and so they sit a little ways apart, just holding hands; you turn on housewives, because you and vi had succeeded in getting caitlyn invested and you were supposed to watch the new episode tonight anyway.

they both fall asleep on the couch later, vi's head in caitlyn's lap while she runs her fingers up and down the grain of vi's soft hair, nodding off eventually. you take a picture and send it to ekko before you get up to go try to wind down to sleep.

disgusting, he texts back. love them tbh

ugh. same